电影《生死诺言》以全国道德模范提名奖获得者、江苏省道德模范刘绍安为原型，以主人公五十年如一日、履行与战友“生命之约”的感人故事为素材，拍摄的一部主旋律作品。影片内容梗概是：在朝鲜战场上的生死关头，邵安、金果、根宝三个战友约定：如果谁牺牲了，活着的人要到牺牲的战友家去当儿子，孝敬父母。战斗中，金果牺牲，根宝失踪，幸存下来的邵安义无反顾地来到江苏泰兴奉养两家的老人，抚养年幼的弟妹。其间，邵安经历了与山东母亲、“娃娃亲”之间的亲情、感情煎熬，经历了与金果妹妹银杏的爱情纠葛，经历了为根宝“平反昭雪”的是非恩怨，经历了支撑两家人生活的艰难困苦。邵安无怨无悔地履行着与战友之间的生死诺言。

电影《生死诺言》是一曲颂扬诚信的赞歌。诚信是中华民族的传统美德，是为人做事的基石，也是市场经济竞争的“法宝”。影片通过绍安不平凡的一生，集中表现了他诚实守信、一诺千金的高贵品质，影片不仅刻画了邵安的.崇高形象，而且充分展示了在邵安精神力量感染下，周围一群“凡人”的不平凡义举，令人深受感动!

电影《生死诺言》是一本宣传典型的好教材。刘绍安获得全国和江苏省道德模范后，引起了社会各界的广泛关注，中央电视台五个频道聚焦报道了他的感人事迹。泰州、泰兴两级市委宣传部以电影艺术为表现手段，积极创新了宣传道德模范和先进典型的演艺作品。影片有着丰富的思想内涵，有利于引导广大党员干部群众和青年学生树立社会主义核心价值观，有利于传承中华民族的优秀传统和宝贵精神，有利于倡导以诚实守信为重要内容的社会公德、职业道德、家庭美德、个人品德，推进社会主义和谐社会建设。

电影《生死诺言》是一部感染力很强的艺术作品。影片的编剧与刘绍安相处十多年，有着深厚的感情交融和深入的思想交流，对人物心灵的刻画细致入微，对人物形象的塑造客观实在;影片的拍摄主场地在素有银杏之乡、教育之乡、建筑之乡美誉的泰兴，充分展示了具有浓郁地方特色的田园风光、文化遗产;影片的拍摄方是有着强大技术实力和众多高素质艺术人才的高等学府，对推出一部优秀文艺作品提供了坚实的科技、人力支撑。年初，该影片得到了省专家组的高度评价，一次通过国家广电总局的发行审查，并被推荐为“年度重点影片”。影片情节感人、催人泪下，能够拨动观众情感的心弦，产生思想的共鸣，有着很强的艺术感染力，不失为一部反映时代主旋律的成功佳作。

最后，祝影片《生死诺言》首映取得圆满成功!

谢谢大家!

电影的演讲稿篇2

there are so many movies i've loved that the entire list would be nearly book-length. it's tough to pick just a few, but i'll give it a try.

before i start any kind of numbered list, i have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. it isn't fair to list it with others. while i'll still refer to #1 on the list below as my favorite as follow.

movie:d'amélie poulain, directed by :jean-pierre jeunet.

jean-pierre jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.every single character,including amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.amelie is like the angel who repairs the missing links in their lives and finds a root of her own.the "all's well that ends well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.

for 20 years jean-pierre jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in french film history. jean-pierre jeunet fell in love with the story and the film he titled le fabuleux destin d'amélie poulain. but it's popularity was even a surprise to jean-pierre jeunet himself as he once stated: i guess i have to produce a film like alien resurrection (usa 1997) to make a movie like le fabuleux destin d'amélie poulain', obviously not aware of the films potential. unfortunately the film didn't win an academy award for the best foreign film in 2001 which still puzzles film fans all over the world.

i consider jean-pierre jeunet's film as a masterpiece. in my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. going to the cinema is like meditating. we sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. we seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. thanks to jean-pierre jeunet i had a wonderful dream, i will never forget.

jean-pierre jeunet and his camera man, bruno delbonnel, wanted to make the film look like the spanish painter did his artwork. to establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. audrey tautou (amélie poulain), mostly wears either red or green dresses, as well as the housekeeper (yolande moreau as madelaine wallace, concierge), and amélie's mother (lorella cravotta as amandine poulin) in the beginning of the film. when amélie poulain sits down to watch the tragedy of her life on her tv, there is an outstanding of a blue lamp in the background. sometimes the use of color gets very obvious. amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. honestly, i haven't noticed the extreme use of color the first time i watched the movie. i just wondered how jeunet succeeded in establishing such a fabulous atmosphere.

the atmosphere is also supported by the magnificent music by yann tiersen who has composed 19 songs in 15 days for this movie. the principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. the music supports every moment in the film and becomes the sound of a fabulous world.

camera movement certainly contributes its part to the atmosphere. balanced and unbalanced pictures contribute to the message of each shot. right in the beginning when amélie's mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. the same can be about the first shots of amélie's father. when talking about his dislikes, the shots are unbalanced. but more impressing are some camera movements. for example there is an astonishing high angle shot of amélie flipping stones on le canal in paris. the camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. another one worth mentioning might be the chase of the repairs person. nino is shown falling up the steps chasing the repairs person for the photo machines. the camera turns to show the man getting in the car driving off. still in a low angle nino starts his moped, trying to follow the worker, almost hitting a car. amélie is entering the picture running after nino. the camera follows her, then turning almost 180° around her to show her hold nino's red bag that he lost. when amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. they support the dreamlike atmosphere, adding interesting aspects to ordinary actions.

电影的演讲稿篇3

亲爱的老师、同学们：

大家好！

最近，手机被《你好，李焕英》这部电影刷屏，无论是网络新闻，抖音视频，还是各种公众号推送的文章，无不存在这部电影的身影，口碑还不错。

这部电影的主演和导演都是贾玲，平时我也很喜欢贾玲，贾玲的小品和相声都很有意思，她演的电影我还是第一次看。

这部电影汇集了很多喜剧演员，像张小斐、沈腾、陈赫、冯巩等等，不是偶像剧，没有那么多养眼的面孔，张小斐就算这部电影里的颜值担当啦，不过人物不重要，好看的故事是重点。

贾晓玲，一个胖胖的可爱女孩，从小被妈妈宠爱，虽然各种不争气，多大了，还拉裤子里；上学时成绩稳稳的差；考大学吧，弄了个山寨的通知书打算给妈妈长长脸，后来被妈妈发现。但是妈妈对于女儿的无限爱意在贾晓玲的各种状况里彰显无遗，怜爱地刷洗着女儿的脏裤子，安慰孩子，她还小呢；成绩总是很差，妈妈却一直在鼓励她；弄了个山寨通知书，为女儿的错误开脱，理解女儿是想让自己开心。

这么一个只在乎孩子是否开心的妈妈突然遭遇车祸，贾晓玲伤心欲绝，蓦然发现，妈妈这一辈子，自己没做过一件让她开心的事。

一个偶然，贾晓玲穿越到了1981年，也就是她出生前一年。遇到了自己的妈妈，还是一个美丽的少女。于是她使劲浑身解数想帮助妈妈，要努力做些让她开心的事。她帮妈妈买电视机，帮妈妈组织排球队打比赛，帮助妈妈追求幸福。贾晓玲以为妈妈这一辈子跟着爸爸不是最幸福的，她想如果妈妈可以重新选择，一定可以更幸福，于是她帮助喜欢妈妈的厂长的儿子追求妈妈，希望借助自己的力量，改变妈妈的.人生路，让李焕英重新选择更好的幸福。她以为这么做，妈妈会高兴。但是妈妈依然选择了没有厂长儿子条件那么好的爸爸贾文田结婚。妈妈和爸爸在一起感觉是幸福的。

穿越到1981年的贾晓玲用自己的方式爱着妈妈，努力做些让妈妈李焕英开心的事，而此时的李焕英，我想李焕英和贾晓玲同时完成的穿越，她也知道贾晓玲就是自己的女儿，但一直装不知道，默默配合着女儿的小心愿，直到影片最后，母女俩才相认，后又回到20xx年，妈妈在医院里……

整个电影讲述了朴素的母爱，讲述了女儿对母亲的深切思念，以贾玲的母亲李焕英为原型，进行了适当的艺术加工。小事中见真情，让人笑中带泪。

总之，一句话“树欲静而风不止，子欲养而亲不待”概括我的总体感受，行孝趁早，莫留遗憾。

谢谢大家！

电影的演讲稿篇4

this movie is delightful from start to finish. although some of the coincidences and chance meetings are highly improbable (both going to nyc? both watching the same tv set at the same time?), they cannot spoil what is a genuinely touching and moving experience.

instead of a the usual scenario where two people try desperately to find love, the two leads, li chiao (maggie cheung) and li xiao jun (leon lai), try desperately to avoid it. both mainlanders, she has come to hong kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the mainland. through a brief meeting in a mcdonalds where li chiao works one of her several part-time jobs, and xiao jun has come to experience the unknown-in-his-hometown food, they become friends. they discover a shared love for the songs of taiwanese singer teresa tang, which become the soundtrack to their relationship. both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. their struggle to remain true to their original goal in coming to hong kong leads to an emotional crisis for both them and their partners. the struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. the resolution of this struggle is sweet indeed.

the lead actors are both exceptional, particularly leon lai, who always seemed to be playing a variation on himself until this film. he is completely believable as the na-iv-e and trusting xiao jun, and maggie cheung is, as ever, radiant and affecting. the songs of teresa tang are used to great effect, one of which gives the film it's title (tian mi mi, the title of the chinese version, roughly translates as sweet like honey).

loses a point for the number of coincidences, but otherwise unreservedly recommended.

i have just finished watching it. the emotions came out from deep down in my heart, and i couldn't control myself to stop crying. this is the film of love, reality and dream. it has nothing to do politically with hongkong before or after 1997. it shows the story of two young people who think they are young enough to not choose and avoid love as the dream of life, instead, they pretend to make their 'materialised dreams' come true. however, after their dreams do come true, they are not satisfied. when they turn over their faces, and realise that having each other is the dream. this is a soft and gentle film that in some way affect your heart deep down inside. the struggle the characters experienced are somehow showing the contradictions that all the immigrants would encounter. those two 'immigrants' from mainland of china into hongkong have the reluctance of choosing between 'dream' or 'love', just like all the foreigners live in a country would have confused with and took the wrong decision. it is difficult to settle into one culture, when meet the people from your hometown, you feel like as if they are closer to you than your family.

from the fantastic performance from both two actors, the whole structure of the film is satisfying, and the pace of unwrapping the storyline is as exciting and surprising as the christmas presents. the love in the film is somehow very 'pure' and 'si-mp-le' from the determination and patience that took them years to find each other.

finally, there is only one thing to say: among the sea of people, 'yuan'--the invisible and chosen force that connect you with the others in a particular way is unchangeable and if you believe it, you will never be able to miss 'the one' for you, no matter what happens, and where you will b.

just ask yourself-- billions of people in the world, why do i meet you not someone else?

有关电影的英语演讲稿 [篇2]

?挑战星期天》:

i don't know what to say really.three minutes,to the biggest battle of our professional live.all comes down to today.either we heal as a team

or we are going to crumble. inch by inch play by play ,till we're finished.

we are in hell right now, gentlemen ,believe me. and we can stay here

and get the sh-it kicked out of us or we can fight our way back into the light.we can climb out of hell.one inch, at a time.now i can't do it for you.i'm too old.i look around and i see these young faces and i think

i mean,i made every wrong choice a middle age man could make.

i uh....i pissed away all my money.believe it or not.i chased off anyone who has ever loved me.and lately,i can't even stand the face i see in the mirror.you know when you get old in life,things get taken from you.

that's, that's part of life.but,you only learn that when you start losing stuff.you find out that life is just a game of inches.so is football.

because in either game,life or football,the margin for error is so small.

i mean,one half step too late or to early,you don't quite make it.one half second too slow or too fast.and you don't quite catch it.the inches we need are everywhere around us.they are in ever break of the game.every minute, every second..on this team, we fight for that inch.on this team, we tear ourselves, and everyone around usto pieces for that inch.we claw with our finger nails for that inch.cause we know,when we add up all those inches that's going to make the ****ing difference between winning and losing between living and dying.

i'll tell you this in any fight it is the guy who is willing to die

who is going to win that inch. and i know if i am going to have any life anymore. it is because, i am still willing to fight, and die for that inch.because that is what living is. the six inches in front of your face.

now i can't make you do it. you gotta look at the guy next to you. look into his eyes. now i think you are going to see a guy who will go that inch with you.you are going to see a guy who will sacrifice himself for this team because he knows when it comes down to it,you are gonna do the same thing for him.

that's a team, gentlemen and either we heal now, as a team, or we will die as individuals. that's football guys. that's all it is. now, what you gonna do?

?闻香识女人》:

mr. simms doesn't want it . he doesn't need to be labeled still worthy of being a baird man . what the hell is that? what is your motto here? boys, inform on your classmates, save your hide .anything short of that, we're gonna burn you at the stake.

well, gentlemen, when the sh-it hits the fan, some guys run and some guys stay .

here's charlie facing the fire, and there's george hiding in big daddy's pocket.

and what are you doing? you're gonna reward george and destroy charlie .

no, i'm just getting warmed up. i don't know who went to this place. william howard taft, william jennings bryant, william tell, whoever. their spirit is dead, if they ever had one .it's gone. you're building a rat ship here, a vessel for seagoing snitches. and if you think you're preparing these minnows for manhood, you better think again, because i say you are killing the very spirit this institution proclaims it instills . what a shame ! what kind of a show are you guys putting on here today?

i mean, the only class in this act is sitting next to me. i'm here to tell you this boy's soul is intact. it's non- negotiable. you know how i know? someone here, and i'm not gonna say who, offered to buy it only charlie here wasn't selling

out of order . i show you out of order . you don't know what out of order is, mr. trask .i'd show you, but i'm too old , i'm too tired, too ****ing blind. if i were the man i was five years ago, i'd take a flamethrower to this place! out of order? who the hell you think you're talking to? i've been around, you know? there was a time i could see and i have seen boys like these, younger than these , their arms torn out, their legs ripped off. but there is nothing like the sight of an amputated spirit . there is no prosthetic for that. you think you're merely sending this splendid foot soldier back home to oregon with his tail between his legs ,

but i say you are executing his soul! and why? because he's not a baird man. baird men. you hurt this boy, you're gonna be baird bums, the lot of you . and, harry, jimmy, trent, wherever you are out there . **** you too!

i'm not finished. as i came in here, i heard those words: "cradle of leadership.

well, when the bough breaks . the cradle will fall, and it has fallen here. it has fallen . makers of men, creators of leaders . be careful what kind of leaders you're producing here. i don't know if charlie's silence here today is right or wrong, i'm not a judge or jury . but i can tell you this: he won't sell anybody out to buy his future! and that, my friends, is called integrity. that's called courage. now that's the stuff leaders should be made of. now i have come to the crossroads in my life.

i always knew what the right path was. without exception, i knew, but i never took it. you know why? it was too damn hard. now here's charlie. he's come to the crossroads. he has chosen a path. it's the right path. it's a path made of principle that leads to character . let him continue on his journey. you hold this boy's future in your hands, committee . it's a valuable future, believe me. don't destroy it. protect it. embrace it. it's gonna make you proud one day, i promise you.

?魔鬼代言人》:

who are you carrying all those bricks for? god?is that it? god? l tell you...let me give you a little inside information about god. god likes to watch. he's a prankster. think about it. he gives man...instincts. he gives you this extraordinary gift,and then what does he do? l swear, for his own amusement...his own private cosmic......gag reel......he sets the rules in opposition. it's the goof of all time. look, but don't touch.

touch, but don't taste. taste, but don't swallow. and while you're jumping from one foot to the next, what is he doing?he's laughing his sick ****ing ass off! he's a tightass! he's a sadist! he's an absentee landlord!

worship that? never!

better to reign in hell than serve in heaven, is that it? why not?？l'm here on the ground with my nose in it since the whole thing began! l've nurtured every sensation man has been inspired to have! i cared about what he wanted and l never judged him! why? because l never rejected him,in spite of all his imperfections! l'm a fan of man! l'm a humanist.may be the last humanist.who,in their right mind,kevin,could possibly deny...the 20th century was entirely mine,all of it,kevin,all of it.mine.i’m peaking ,kevin,it’s my time now.it’s our time.

?市政厅》:

i was warned not to come here. i was warned. they warned me, "don't stand behind that coffin." but why should i heed such a warning when a heartbeat is silent and a child lies dead? "don't stand behind" this coffin. that boy was as pure and as innocent as the driven snow. but i must stand here, because i have not given you what you should have. until we can walk abroad and recreate ourselves, until we can stroll along the streets like boulevards, congregate in parks free from fear, our families mingling, our children laughing, our hearts joined until that day we have no city. you can label me a failure until that day.

the first and perhaps only great mayor was greek. he was pericles of athens, and he lived some 2500 years ago, and he said, "all things good of this earth flow into the city because of the city's greatness." well, we were great once. can we not be great again? now, i put that question to james bone, and there's only silence. yet, could not something pass from this sweet youth to me? could he not empower me to find in myself the strength to have the knowledge to summon up the courage to accomplish this seemingly insurmountable task of ma-ki-ng a city livable? just livable.

there was a palace that was a city. it was a palace! it was a palace and it can be a palace again! a palace in which there is no king or queen or dukes or earls or princes, but subjects all -- subjects beholden to each other, to make a better place to live. is that too much to ask? are we asking too much for this? is it beyond our reach?! because if it is, then we are nothing but sheep being herded to the final slaughterhouse! i will not go down that way!! i choose to fight back!!! i choose to rise, not fall! i choose to live, not die!! and i know, i know that what's within me is also within you!

that's why i ask you now to join me. join me, rise up with me; rise up on the wings of this slain angel. we'll rebuild on the soul of this little warrior. we will pick up his standard and raise it high! carry it forward until this city -- your city -- our city -- his city -- is a palace of god! is a palace of god!

i am with you, little james.

i am you.

?情枭的黎明》:

now i ain't sayin' that my way would have been different.had my mother been alive when i was a kid, 'cause that's all you hear in the joint.i didn't have a chance no bullsh-it.i was already a mean little bastard while my mother was alive, and i know it.but i learned about women from her.your honor,with all due respect,past and present,and without further to do.let me assure this court thati am through walkin' on the wild side.that's all i've been tryin' to tell you.i have been sick with the social ills known in the ghetto ,but my time in the sterling correctional facilities

of green haven and sing sing has not been in vain i've been cured!born again, like the watergaters.i know you heard this rap before .your honor, i mean it.this is the truth i changed.i changed and it didn't take no 30 years like your honor thought, but only five.that's right, sir. five years.and look at me. completely rehabilitatedreinvigorated, reassimilated,and finally gonna be relocatedand i want to thanka lot of people for that.i look over there and i seethat man there, mr norwalk.i want to thank you, sir,for ma-ki-ng the tapes in an illegal fashion.

i would like to thank the court of appealsfor reversing you, your honor.and i want to thank almighty god, without whom no case gets tossed.i must have forgot. how could i forget!my dear, close friend and lawyer,david kleinfeld,who never never never gave up on me through everything, thick and thin.why don't you just stand up?davey kleinf？

有关电影的英语演讲稿 [篇3]

hello everybody,

today ,my presentation is about film review.

the graduate is an attractive and affecting film.it has a very important place in the america film history,because it reflected the people’s life at that time,1960s.it also a ground-breaking film,had taken a new film type in american film market.

mike nichols,is the the director. he is a famous and fruitful director in america,has many movie works ,helped him receive a lot of honors and awards,including the graduate ,which helped him get the oscar awards,the best director .

the graduate is a comedy film,theme is about love,premiered in 1967.after that,the film got many awards,such as:best director,best picture,best actor,best actress,and so on.

the main stars including dustin hoffman,anne bancroft,katharine ross and others.dustin hoffman plays a graduate ,named benjamin,who is worried about his future,his eyes are confused.anne bancroft,plays mrs. robinson ,a middle-aged woman,although has a rich husband,she dose’t like her husband.katharine ross plays elaine,she is mrs. robinson daughter.ben is a graduate,his father held a party for him and give a beautiful red car as graduate gift.but he had no interested it.at the party,mrs. robinson seduced him.at first,he refused.however ,after several days,he had se-x with her in a local hotel.all is going well until mrs. robinson insisted that ben must leave from her daughter elaine.but he didn't follow what she said and finally fell in love with elaine.others found the truth and elaine decide to leave ben.this time,he was not confused again,finally,he and elaine ran away from elaine’s wedding.

i like the film ,because nobody is perfect, and people do improper things at the improper time. the point is whether you are willing to amend it or not. ben should be a good example.when his affair with mrs. robinson,found by others, he was brave enough to face it, courageous enough to purse his true love . from the movie ,we can see ben’s transformation from a confused graduate to a mature man; from the fall to the persistence for true love ; well, this is our graduate, it’s a part of life, it’s the process of growth.

the theme music is very popular. let’s enjoin it.

thank you !

电影的演讲稿篇5

这是一部美丽的电影,是一件艺术品。

没有特效，没有华服。不用让你辛苦的戴上眼镜在大屏幕前目不转睛屏息凝神两个小时兼带大呼小叫，这部电影不负责锁牢你的眼球，不负责点燃你的荷尔蒙，它只管兀自绽放着360度全方位无死角的美丽，仿佛夜半时分盛开的昙花，明明安静而没有高潮，却每一秒每一分都是高潮，雍容华贵得需要用慢镜头去体会。《国王的演讲》仿佛一出内敛而精致的戏剧，在低调中酝酿出深厚，在深厚中铺展出令人动容的力量。

乔治六世是一位口吃的国王，然而每个人的痛苦都有症结，他每次在讲话中痉挛，都表现出不可抑制的恐惧。愿意帮助他也有能力帮助他的人意识到——若结果是恐惧，则原因亦是恐惧。这个人，是语言矫正师罗格。

罗格与乔治六世身份不同，地位不同，但在日复一日的治疗中，他们却成为了永远的挚友。然而战争不可避免的发生了，英国对德宣战，乔治六世需要通过无线电对全体国民演讲。事关重大，所有人的心都缩紧了：这是战争中的特殊时刻，是一切将至之前的寂静，是宣扬正义、鼓励勇气之时，是蔑视强权、展现坚定之时，是容不得丝毫差错之时。罗格守在国王身边，引导他放松大胆，陪伴他完成这艰难而重要的演讲。终于站在播音室，大门紧闭，只有国王和罗格两人，国王坦陈罗格的帮助巨大，他无以为报，罗格调侃一笑，在最后时刻低声说，不要多想，只当说给我听，说给我这个朋友听。时间准点，指示灯闪亮又熄灭，门外的王后紧张地闭上了眼，一众大臣和工作人员都凝神屏息，国王终于开腔，有些缓慢，但不迟疑。在成千上万的角落，曾经参加一战的士兵已是平民，留下伤痕的脸平静肃然;年迈的老人眼含悲悯，仔细聆听国王的每一句言辞;工厂里的工人、军队里的士兵、宫廷中的仆佣、国王的母亲和兄长，都在国王的演讲中听到了澎湃的激情、不屈的精神、强大的勇气和必胜的信念。人们欣然，这是伟大的演讲。

影片对国王的描述，是用的一种平视的镜头，国王虽然有着崇高的地位，但同时有着普通人的缺点，影片把乔治六世饱受口吃之苦的情状展现得淋漓尽致。在别人以为当众说话是一件很容易的事情，在乔治六世那里，却是一件艰难无比的事情。乔治六

世的勇气、隐忍与坚持，在面对缺陷时体现出了独有魅力与张力。一次次的挣扎与努力，自然而然又令人肃然起敬。在这个意义上，《国王的演讲》也是一部励志片，而且因为是国王克服内心困境的努力，励志的力量就显得更大。当国王在麦克风前憋得满脸通红，痛苦万分，但终于完整做完演讲，影片的励志力量也让人生出了绵长的感动。

?国王的演讲》在一个普通和细微的故事中，拍出了深厚、浩渺的意味,感动人心的力量不一定个来自于宏大的命题，国王的口吃，同样能让人思索良多。

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